How hollow melanosomes affect iridescent colour production in birds

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How hollow melanosomes affect iridescent colour production in birds.

Developmental constraints and trade-offs can limit diversity, but organisms have repeatedly evolved morphological innovations that overcome these limits by expanding the range and functionality of traits. Iridescent colours in birds are commonly produced by melanin-containing organelles (melanosomes) organized into nanostructured arrays within feather barbules. Variation in array type (e.g. mul...

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Ontogeny of an iridescent nanostructure composed of hollow melanosomes.

Iridescent colors in feathers are some of the brightest in nature, and are produced by coherent light scattering from periodic arrangements of melanosomes (melanin-containing organelles). Hollow melanosomes, an evolutionary innovation largely restricted to birds, contain an optically powerful combination of high and low refractive indices (from the melanin and air, respectively) that enables pr...

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Iridescent colour production in hairs of blind golden moles (Chrysochloridae).

Relative to other metazoans, the mammalian integument is thought to be limited in colour. In particular, while iridescence is widespread among birds and arthropods, it has only rarely been reported in mammals. Here, we examine the colour, morphology and optical mechanisms in hairs from four species of golden mole (Mammalia: Chrysochloridae) that are characterized by sheens ranging from purple t...

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Manakins can produce iridescent and bright feather colours without melanosomes.

Males of many species often use colourful and conspicuous ornaments to attract females. Among these, male manakins (family: Pipridae) provide classic examples of sexual selection favouring the evolution of bright and colourful plumage coloration. The highly iridescent feather colours of birds are most commonly produced by the periodic arrangement of melanin-containing organelles (melanosomes) w...

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How Multi-Illuminant Scenes Affect Automatic Colour Balancing

The usual first step in automatic colour balancing of digital imagery is to estimate the chromaticity of the illumination. Although there are some recent exceptions (Beigpour et al. 2014. Gijsenij et al. 2013), most illumination-estimation methods assume that the relative spectral power distribution of the illumination is constant throughout the scene. However, many scenes contain multiple illu...

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ژورنال

عنوان ژورنال: Proceedings of the Royal Society B: Biological Sciences

سال: 2013

ISSN: 0962-8452,1471-2954

DOI: 10.1098/rspb.2013.1505